Friday, November 16, 2012

Remix Contest Details

Attention all aspiring DJs, electronic musicians, producers, and creative minds!
Announcing the first weekly Tenseless Sensations Remix Contest.

Each week from now on I will choose a song from my playlist, and you, the listener, will remix it and send it to me. I will play my favorite one on the show the following week, and I'll give you a distinguished mention on the blog.

  This week's objective is "Chained" by The xx. 
The track can be downloaded here.

   Get your submissions in before Wednesday, Nov. 28th. Send to TenselessSensations@gmail.com.
_________________________________________________________________________________

Some options for free DJ software are
1. Mixxx
2. Kramixer 
3. Ultramixer
 There is also djay (mac only) if you don't mind spending some money.
And don't forget Ableton, a professional music production software.

Monday, October 29, 2012

Montrealian Punk Rock

Every town, no matter how small, has its own intimate punk scene, and unless you live in that town, it's unlikely you've ever heard of any of the bands who perform there. There are exceptions, as it could be argued that every band started off small and unknown, but it's sometimes evident based on the sound which acts will make it past their local boundaries and into the public view. The following two groups I will present to you come from Montreal  in Canada.
I post a blog entry about them not because they are especially notable or unique in any way I can perceive; but in fact it is just the opposite: I present them to you as an example of the microcosmic subculture that exists in the peripherals of everyone's youth, consists of the irreligious and energetic, and resists the rituals of common existence.

Here is Tightrope and Inside Riot from Montreal, Quebec, Canada.


Saturday, October 20, 2012

Playlists

Hey there everyone,

Hope you're all having a wondrous weekend so far. As you might know, the playlists for each and every show on WKDU is continually updated as the show is airing and finally posted for eternity as a resource for listeners/fans/connoiseurs to view and enjoy. I have posted links to the playlists for my most recent broadcasts below.

Wednesday, 10/17/12

Wednesday, 10/10/12

Wednesday, 10/3/12

Wednesday, 9/26/12


Thursday, 9/20/12

Thursday, 9/13/12

Thursday, 9/6/12

Thursday, 8/30/12


Thursday, 8/23/12

Thursday, 8/16/12



Also, if you're not a college student, please donate to the station. Think of it as an investment that promises melodious returns.

Catch you all this Wednesday at 8.
_nick

Monday, October 15, 2012

Zammuto



The following is an interview between myself an Nick Zammuto, founding member of the popular experimental group, The Books. Their album, The Lemon of Pink is one of my personal favorite electronic albums, thanks in part to Mr. Downtown Paul Brown

Zammuto has recently released an eponymously-titled album withan eponymously-titled band. They are currently on a tour in the United States.




1. Who makes up the band, and what are their roles?


Sean Dixon on drums, Gene Back on organ/keys and guitar, Mikey Zammuto on bass, Nick Zammuto (yours truly) on guitar, vocals, and slim Phatty mono synth.  There is also a video projection that is almost like a fifth member of the band, that is synced with the show.


2. How would you describe the music of Zammuto to someone who has never heard it before?


From my perspective, it's Zappa meets Paul Simon meets Radiohead.  The references are constantly shifting and most people (including me) eventually give up trying to categorize it.  I think the sound has kind of a reckless precision.  The show also has a sense of humor to it that I think is largely absent from the indie scene these days.


3. In general, how does it compare to the sound of The Books?

In many ways it's a continuation of the Books.  I wrote all of the Books material so I think people can hear that it comes from the same place.  The biggest difference is that we have a drummer (a ninja badass drummer) who ups the energy of the whole enterprise.  The books were more about folksy electronic rhythms, while Zammuto is more of rock configuration, which is reproduced 100% live.

4. What are the logistics of a live Zammuto performance? Specifically, how do you manage to recreate the digitized sounds in a live setting?

Both Sean and Gene have drum triggers and sampling keyboards that we design our own sounds for, and they play in real time.  Also the show has a midi brain that is attached to the video which allows us to stay in sync with the visuals in an organic way.  Also, all of the vocal effects used on the record are reproduced live through a foot controlled vocal processor with presets I've created for the show.


5. How does Zammuto stand out among the other groups in electronic music today?

I don't think we fit squarely into the electronica category.  I'm always looking for that fine balance between organic and digital, acoustic and electronic.  The show feels like a comfortable marriage of a lot of different techniques, all in service of the music.  Like I said earlier, we have a very particular sense of humor, which seems rare in music these days.  We take the performance aspects very seriously, but everything else is in this crazy business is pretty funny to us.

6. What/who are some of the influences that have shaped the sound of the Zammuto album?

I had a lot of pent up IDE and frustrations after a decade of working on the Books, so it was like the floodgates opened when I had a chance to start something new.  I just tried to work freely and follow my nose.  I have to many influences to name, I think everyone hears something different in the music, and that's part of its design.

7. What can fans expect from Zammuto in the future?

Hopefully another record ASAP.  We're on our first tour right now and the shows have been joyous and rowdy, but we need to grow to survive.  We're counting on our listeners to keep us alive at this point.

8. Anything else you want to add.

Thanks!
* * * * * * * * * * * * * * * * * 

To keep up with all things Zammuto, go here: http://zammutosound.com/home.cfm.

Thanks for reading and be sure to listen to the unprecedented amalgam of tunes that is Tenseless Sensations this Wednesday at 8 pm. 

Sunday, September 16, 2012

Catnaps

Here is an email interview I have conducted with Carolyn Haynes, bassist and back-up vocalist for Philly's own Catnaps.


How would you describe your music?
Fun, fuzz-pop. We're actually in a transition period with our sound so our new EP is going to have a more Breeders/that dog influence. 

What's unique about Catnaps?
One of the biggest compliments we get from people is about the lyrical content of our songs. They're witty and extremely relatable. Adrianne writes almost all of them and is able to make these personal stories into events that everyone goes through. Her voice is also amazing and definitely makes Catnaps what it is. She actually put out a solo album a couple weeks ago, you should check it out! The project's called Faux Pas.

What accomplishments have you made as a band?
We've done 2 or 3 east coast tours and last summer we toured across the country. We've released two EPs, one full length, and we're working on our first split (on cassette), as well as two other EPs. We've played Popfest in both Athens, Georgia and New York. We've played with Hellogoodbye, A Great Big Pile of Leaves, Saturday Looks Good To Me, Wild Moccasins, Hop Along, Algernon Cadwallader, and many more amazing acts. We've met great musicians and made a ton friends, and grown so much as a band since we started 4 years ago. 

Who are the members and what do they play?
Adrianne sings lead and plays rhythm guitar… and sometimes lead. She's also the one who started the band.
Dan plays bass and lead guitar and is the longest running member, besides Adrianne of course.
Christian, who also plays in Congenital Death and Bad Side (two other awesome Philly bands), plays drums
I sing back-up, play bass, guitar, glockenspiel, melodica, omnichord, saxophone - whatever we need really. 

How many months has the band taken off from playing shows, and what was the reason for the hiatus?

We stopped playing I think a little after June started. I've been in Nashville all summer working for Infinity Cat Recordings so playing shows kind of became… unrealistic. It's been absolutely awesome though, I worked with the BEST people, and they actually mentioned me and Catnaps on their website! (http://infinitycat.com/wordpress/archives/1563). I think we all really miss playing shows though so we are DEFINITELY ready to play this month.

Could you describe your live performances (what sets Catnaps apart from other live pop-acts)?

We like to write songs that make people move. Dancing alone in your room or dancing in the middle of a show, we really enjoy making people feel something when they listen to us. I will admit we're just a smidge awkward when it comes to stage banter but Adrianne's been practicing some jokes so that should solve that problem. Dan and I also switch instruments during our shows, something I've always found interesting and entertaining when watching a band (like Harlem for example ((RIP they broke up))). We also tend to play everything faster than the recordings and make them a little more… rock, I guess would be the best word, sounding than they do on our albums. Usually what we play live isn't a note for note rendition of what we recorded. It still sounds great, but it offers people another way of hearing the song. And when you're a pop act, having some surprise parts in your songs at a live show is something that makes people interested.


Could you explain the transition in sound in a little more detail?

We're trying to add in more of an early 90s alt rock/girl-grunge-group sound. So there's going to be some synth parts like The Rentals, some harmonies like That Dog and The Breeders, plus some longer (4-5 min) songs with solos and trance like instrument melodies like Built To Spill. The Lemonheads, Archers of Loaf, The Martinis, The Amps, The Pixies, Pavement, Dinosaur Jr., Guided By Voices, they all have some effect on us and I'm really excited to see where we end up with these influences.


Why should people care about Catnaps?
Everyone, whether they want to admit it or not, needs a pop fix. We make songs that stick in your head for days after only 5 minutes of listening. We're branching out with our sound and so far we've been getting great feedback. We're a band that's still growing and I think watching a band during that time period is really neat to see. Wavves did it when he switched from that super lo-fi punk sound on his first self titled releases to King of the Beach. We've got quite a few surprises left in us and I think a lot of people out there will like what we have to offer. Plus, we're very nice people. And who wants to ignore nice people?


Anything else you want people to know?
We have an EP that's almost done and should be out late fall/early winter! Plus a split tape with this awesome band from New Jersey called Tiny Teeth. AND a special 3 song winter EP that sums up how pretty much everyone feels in those cold and dreary months. And of course our two shows this month!!

More info on the band can be found at  http://catnapsband.tumblr.com/.
Interview date: Sept. 14 and Sept. 15, 2012.


Saturday, September 15, 2012

Intro

This blog is a place to record and present to the public the interviews I have done with artists/bands.
It is also a complementary resource to my weekly radio program, Tenseless Sensations, airing every week this fall from 8 to 10 pm on Wednesdays. You can listen at www.wkdu.org or 91.7 FM in Philadelphia.

-Nick